Maren Eggert stars as Nina Palček in Kein Wort
KEIN WORT
NOT A WORD // PAS UN MOT // NITI BESEDE
cinema feature, 2023
Volte Fims Berlin, in co-production with Ici et Là, Tramal Films and with Bayerischer Rundfunk, Arte, RTV Slovenia in collaboration with FS Viba Film, The Cash Rebate Scheme from the Republic of Slovenia, Magic Media Production.
Stardirigentin Nina steht kurz vor einem entscheidenden Konzert, als ein seltsamer Unfall ihres Sohnes Lars sie aus ihrem wohl strukturierten Leben reisst. Dies führt sie auf eine winterliche Insel, wo sie die Verbindung zu Lars, zur Natur und zur Musik neu suchen muss.
Press Quotes
“A compelling and efficiently moody thriller”
“Slak keeps an enigmatic air.”
“The film succeeds in keeping the audience just as off balance and uncertain as Nina.”
“Their spiky tête-à-têtes — Eggert and Nicolai finding an easy rhythm in their dysfunction — are the core of Not A Word”
“Just when it seems Not A Word will remain out of grasp, keeping its secrets close to the chest, its series of escalating events elegantly find a resolution...”
The Film Verdict
“thoughtful, sensitive direction”
“The performances and Slak's direction sell it.”
“Slak's blocking in Not a Word is exceptional.”
“Eggert is such a compelling performer that she makes the scenes of Nina and Lars not talking to one another full of tension.”
“Shot by the always excellent cinematographer Claire Mathon 'Portrait of a Lady on Fire', the stormy island with its grey skies and harsh, rocky landscapes provides the necessary pathetic fallacy for the quietly stormy relationship.”
“beautifully shot, acted, and constructed.”
“Anyone with the good sense to give Maren Eggert a starring role … is someone who knows what they're doing.”
Seventh Row
„Not a Word is a modern parent-child take on Wuthering Heights"
"This stormy natural backdrop... is palpably captured by seasoned cinematographer Claire Mathon - Spencer, Portrait of a Lady on Fire.““Mahler's Symphony No 5 is woven in throughout the film, musically mirroring the pivotal mother-son relationship. ...taps into the expansive emotional canvas... Slak approaches this with a restrained tone, eschewing overt on-screen melodrama.”„The unspoken and implicit elements add important layers of tension. Equally haunting and hopeful, the movie reaffirms Slak's prowess in rendering tempestuous emotional journeys on screen.“
Cineuropa
“A mood piece that speaks volumes.”„Slak's mastery over her craft creates a palpable atmosphere.“"The dialogue is heartbreaking and realistic – the conversations between the two central characters are so authentic and well-written that they make you, as a viewer, gradually understand how they function together and eventually feel part of their relationship."“The performances of the two central characters are so beautiful, with Maren Eggert's performance already being right up in there amongst my favorite film performances of all time.”
"When hopeful gleams reveal themselves, the ingenious stylistic conceit of Not a Word is the symphony going on in her head – at first a work product, but subsequently giving shape to her relationship with Lars." “The film delivers a profoundly haunting visual experience."
High On Films
“Compelling”
“A fabulous classical music score”
Movie Jawn
"Psychologically profound““Maren Eggert delivers a quietly moving performance... In his feature debut, actor Jona Levin Nicolai portrays Lars with an unsettling amount of emotional detachment that elicits both intrigue and unease.”
“While the performances are the heart of Not a Word, the film's technical elements serve as the framework that holds it all together, amplifying the emotional weight of the narrative. With an all-star crew on board, all technical elements seamlessly work together to elevate the narrative to even greater heights.”
“Slak uses a phenomenally composed classical score by Amélie Legrand... Meanwhile, celebrated cinematographer Claire Mathon, renowned for her visually rich work on “Portrait of a Lady on Fire”..., takes a more classical approach in this film, expertly capturing the muted and cold tones of seaside commune Locmaria, France... Finally, the film's precise editing by Bettina Böhler, known for her striking work with auteurs like Angela Schanelec and Christian Petzold, emphasizes the immediate consequences of every action, adding weight to every significant movement and a new layer of depth to the narrative.”
“The ability of Slak to convey the underlying emotional landscapes and the tragic consequences of characters struggling to navigate them is truly remarkable. Through her masterful direction, she delves deep into the psyches of her characters."
Obviously Reviews
“Beautifully shot, acted, and constructed.”Seventh Row"Even with just the raw materials, Not A Word would make for a captivating drama, but in arousing all the senses, it becomes a full-body experience.“
Moveable Fest
“An intelligent film.”
“ The beauty of the deserted island turns to fearful desolation as storms approach, and the wild wrath of the seas and winds matches the uncontained fury between the main characters.”
“Eggert and Nicolai's key performances focus the film, centering it in the middle of storms, both emotional and literal.”
“The artful cinematography, ranging from the intimate surroundings of a dense cityscape to the windswept rocks of the holiday island, provides the final piece of the puzzle.“
Filmthreat
